Going Home to the Edge

The season of Advent snuck up on me the other day. Even though I’m away from my family, from my loved ones studying all about a guy named Jesus in Atlanta, the season still caught me by surprise amid my swimming through the seas of papers and projects. It came in a question posed to me by my friend Katelyn: “Are you going home for the holidays?”

Home. That place for each of us that evokes a multitude of feelings, and for good reason. It’s a place that’s unlike anywhere else. For me, home is a small house warmed by a woodburning stove, nestled between a grove of pine trees on a hill overlooking the rocky Plymouth Bay in Massachusetts. Home might look different for you. Frederick Buechner observed that “The word home summons up a place-more specifically a house within that place-that you have rich and complex feelings about, a place where you feel, or did feel once, uniquely at home, which is to say a place where you feel you belong and that in some sense belongs to you, a place where you feel that all is somehow ultimately well even if things aren’t going all that well at any given moment.”

Are you going home for the holidays? There’s a reason why our feelings of home are so complex. In stories, it is a well-established truth that when a hero comes home, things never go well. Like Odysseus returning to Ithaca after the Trojan War or Frodo and Samwise returning to the Shire in the Lord of the Rings, catastrophe is bound to occur soon after her or his homecoming.

In the fourth chapter of Luke’s Gospel, Jesus leaves the desert filled with the Holy Spirit and begins a preaching tour in synagogues throughout all the countryside. He swings by his home, a newly minted golden child, to attend services as was his custom. But instead of the service going as expected, the doors fly open with the crowd bent on killing him. What happened in the span of these few moments? What has happened to home here?

The reason why all hell breaks loose in the homes in our stories and in our lives is because of the breaking of expectations. Both the hero and the community have different expectations of one another and themselves. Here, for years leading up to this point, people had been using Isaiah’s passage to claim divine authority to take up the role of liberator against Israel’s oppressors. When Christ sought out this passage, he knew what people would think. He knew what people would expect.

Despite their expectations, Christ presents a new way of being – not one of dominance, but of service. Not one of force, but of love. The heart of the matter today is that Christ is quick to remind the people that those who are most comfortable with him, those who think he owes them their due, those who want to keep them for themselves to build themselves up, to make their idea of what home should be like a reality, aren’t the ones who he has come to serve.

“I cannot claim,” Buechner continues, ”that I have found the home I long for every day of my life, not by a long shot, but I believe that in my heart I have found, and have maybe always known, the way that leads to it. I believe that […] the home we long for and belong to is finally where Christ is.” You’ve heard it said that home is where the heart is. And where is God’s heart? God finds home amid the captives, in proclaiming good news to the poor, in standing in solidarity with those squatting under the highways and byways around fires in trashcans. Furthermore, if home is where Christ is, I find myself asking myself today, are you going home for the holidays? Will we go with God to the edge of society, or will we take him there, to a hill outside of town to kill him?

“I believe that home is Christ’s kingdom,” Buechner concludes, ”which exists both within us and among us as we wend our prodigal ways through the world in search of it.” Even despite ourselves, even when we cannot see past ourselves, I am thankful that Christ still somehow slips through. As we struggle to be faithful to follow Christ, as we clamber down all the roads our lives take, I invite you to wonder where you’re going in life. Where does Christ say home is today? And finally, are you going home for the holidays?

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Mobius

The other day, when I was lost in the backwoods of Kentucky, I received a call from my sister. I was driving back from work at church, my mind filled with thoughts from the previous week, when I realized that the exit which I needed to take on the highway was three or four back. Faced with heading straight on to Cincinnati, I turned off the road at the next exit and began picking my way back west on some winding Kentucky back roads.

The car wound its way through rolling hills and fields filled with corn, its meandering nature following the same course as my mind as it twisted this way and that. After a wandering the country, I noticed that my tank was hovering just above empty. As a gas station appeared, I pulled in and got out.

The smell of gasoline filled the air and mingled with the sound of crickets and the frogs which made their home in and around the Ohio River. Some folk music was gently piped in under the florescent lights of the gas station. I would have stayed a bit longer to listen and watch the sun set had my phone in my car not rang.

As I climbed in and continued my return home, I picked up the call. It had been a couple of weeks since my sister and I had caught up. I smiled as we shot the breeze for a bit. After getting me up to date on things back in New England, she switched the topic.

“Have you ever heard of Rachel Held Evans?” she asked. “I just discovered her and this book I just finished by her just has been incredible.”

“Really?” I asked as I slowed to a stop at a four-way intersection. “How so?”

“Basically, the one big take-away from the book is, and I know this sounds obvious but, bear with me here. It’s that there are multiple ways to interpret Scripture.”

There was a moment of silence as I felt laughter bubbling up in my chest. After chuckling for a few seconds, I apologized, and explained, “Kristen, you wouldn’t believe it, but I find myself learning and re-learning this constantly. If this is the first time you’ve encountered Evans’ work, you have a treat ahead of you.”

The light turned green and I continued down the road, disappearing around another cornfield a few moments later.

Several years ago, I remember sitting down with my older brother over a discovery he had made. As a math and physics person, my brother and I don’t always see eye to eye – in part because we’ve been trained that way. An elegant equation looks like gobbledygook to me. To him, it’s meaningful in some way.

In his hands, Dave had a length of paper, cut to be about an inch wide. He took the paper and twisted it one hundred and eighty degrees once before taping it together. The result was a rather odd shape.

“This,” he began, “is a Mobius strip.”

“The cool thing about this is that it only has one side.”

My mouth dropped open. “What? You’re lying. It obviously has two.”

Dave offered me a pen.

“Try and draw a single continuous line and you’ll see I’m right.”

After making my way around the strip, I was shocked to see that waiting for me at the other end was the line I started with. I flipped the strip over. The pen’s trail was still there. Dave was right.

“Now here’s the kicker,” he continued. “Imagine that you were a two-dimensional person who lived on the Mobius Strip called a Flatlander. You would have no idea that you’re flipping. It’s all flat to you. But perspective matters, as we can see what’s happening in three dimensions.”

Something clicked in my mind. “It’s kind of like living in a cave all your life and seeing the sun for the first time.”

Dave furrowed his brow.

“I mean, I guess. Whatever floats your boat.”

My mind’s been going in circles recently. Or rather, been thinking on them. Perhaps as I drive along winding country roads outside of Louisville and work with people with vastly different backgrounds and life experience as me, it’s causing me to reflect on perspective. And after a summer’s worth of reflection, I have increasingly come to the conclusion that I am a maniac. Or rather, I’ve always been. I’m just becoming more aware of it.

G. K. Chesterton makes the observation that maniacs are deemed so not because of their lack of reason, but because of their perfection of it. “The madman’s explanation of a thing is always complete, and often in a purely rational sense satisfactorily […] Perhaps the nearest we can get to expressing it is to say this: that his mind moves in a perfect but narrow circle. A small circle is just as infinite as a large circle; but though it is infinite, it is not so large. In the same way, the insane explanation is quite as complete as the sane one, but it is not as large.” For the madman or -woman, the explanations that they create are systematic and complete. But for those who find themselves more clued in on the reality of things, it seems as though the madman or -woman is missing out on so much more.

The theologian Frederick Buechner observed that theology is just like a dung beetle taking up a study of humans with the goal of understanding everything there is to know about them. “If so,” he concludes, “we would probably be more touched and amused than irritated. One hopes that God feels likewise.” When we arrive at the notion that, while God wants to be known and does so most clearly through the person of Christ, and yet simultaneously cannot be fully comprehended as a beetle cannot fully comprehend the complexity of a human person, we realize that in a certain way, we humans have constructed, over the course of many centuries and with the work of many careful and reflective theologians, circles of our own making. We’re Flatlanders, trying to make sense of a three-dimensional reality. When we hold to one school of thought to the exclusion of others, I think that God sees us as maniacs. Or maniacs trying our best.

The nice thing is that special revelation provides us with some correlation of the bigger picture, we hope. Experience typically reinforces this notion. And yet, I must confess that oftentimes we struggle to encompass all of it because we are finite creatures in a universe that is vastly other. While I believe that there are absolutes, I’m realizing that approaching those absolutes are a much harder task than modernity had led us to believe.

Evans writes that “when you stop trying to force the Bible to be something it’s not—static, perspicacious, certain, absolute—then you’re free to revel in what it is: living, breathing, confounding, surprising, and yes, perhaps even magic […] ‘The adventure,’ wrote Rabbi Burton L. Visotzky in Reading the Book, lies in ‘learning the secrets of the palace, unlocking all the doors and perhaps catching a glimpse of the King in all His splendor.’”

This, I believe, inspires humility. I trust and, I would think, know experientially that what I have received in faith is true, it also reminds me that the universe, Scripture, and the Creator it reveals is a much more complicated and multifaceted reality than the way I thought they were like back in my earlier days. Using Scripture as a window to this greater reality, then, logically would generate several meanings when viewed from different places—different rooms in the palace—as we constantly grapple with God.

Here’s hoping that, like Jacob, we might not let go until God blesses us. And may it cause us to walk differently.

A Devil of Our Own

A few months ago, I was catching an indirect flight out of Atlanta to Portland, Oregon by way of Oakland, California. I was on my way to a wedding in Vancouver, Washington. Seeing that one of the happy couple getting hitched that weekend was my girlfriend’s oldest sister, I had planned to meet up with Olivia and her family a few days early to help set up. After the festivities, we all would then pile into the car and drive back to sunny Southern California for the rest of my spring break.

I had found my seat and, upon sliding my carry-on bag underneath the seat in front of me, began reading an assigned book on constructive political theology. After reading for several moments, I noticed someone out of the corner of my eye, looking perplexed. Glancing up, I noticed the middle-aged woman holding a bag pensively in one hand as she stared at the seat next to mine before glancing at the ticket in her other one.

“Is that seat open?” she said as I looked up from my book, “I’m hoping so. More leg room and all.”

“I’m not sure, but I’m sitting here by the window so you do you. If someone takes the seat, we’ll cross that bridge when we get there.”

She smiled and placed her bag between us. Closing the book, I began to get up from my seat and extended my hand.

“Well, looks like we’ll be neighbors for the next couple of hours. I’m Timothy.”

Shaking my hand, she replied, “Jennifer.”

I began to sit back down and open my book again, looking for the last sentence I remembered reading. Finding my place, I looked back at the woman and asked, “You heading to California?”

“Yes. You?”

I shook my head.

“Just passing through on my way to Portland.”

Jennifer had gotten into her seat at this point and had pulled out her own book as the flight attendant came by to remind everyone to buckle their seatbelts.

“Oh, that will be nice,” she responded before finding her place in her own book and falling silent.

The two of us read in silence for the next two hours without much conversation between the two of us. Every so often, one of us would glance at the other’s book to try and discern what the other was interested in. About halfway through the flight, I looked up from Catherine Keller’s description of the undercommons to see Jennifer looking at me with a curious, if not cautious, expression.

“Are you a priest or something?”

I laughed.

“Not quite. I’m a student. This here is homework. I might be a pastor one day if things fall that way. What do you do?”

“I’m an independent consultant for virtual security.”

“You do stuff similar to Avast and all them?”

She nodded and said, “Well, kind of. I like to think I work for the sake of the little guy.”

“A noble pursuit, if ever there was one.”

“Yeah, I like working for the underdog.”   

There was a pause for a moment before I asked, “Would you mind if I asked why you wondered whether I was a priest?”

“Oh, I saw your book. Theology. And political at that! Two things that usually shut down conversation at Thanksgiving, am I right?”

We laughed and she continued, saying, “I went to Catholic school, but I’ll be the first to tell you that I’m not really the superstitious type, you know.”

I shrugged.

“Fair enough,” I replied. “Thanks for letting me know. I was curious.”

I continued on with my reading for a few minutes. Catherine Keller was making some astute insights on the world with her second chapter. I found myself jotting notes in the margins and underlining more than a few times. Sometimes I think that the only difference between vandals and academics is that the latter can string a few more words together in a drier-sounding article.

Jennifer interrupted my stream of thought.

“Do you believe in the devil and all that?”

Looking back up from Keller, I looked back at my neighbor.

“I believe that there is a Satan and spiritual beings, yes. Why?”

She shrugged. “Well, I always wonder whether we need a devil nowadays. We seem to be making ones in our own image.”

I closed my book, smiling.

“Do tell. What do you mean by that?”

“Well, I told you I work as a virtual security consultant, right?”

I nodded.

“You know how sometimes you’re talking to somebody about how you want something and a couple hours later an ad for that exact thing pops up on Google? Well, I work in that space working against companies collecting info which makes those ads so relevant.”

I frowned “How so?”

“The thing is, Google, Microsoft, Apple, and Facebook have these programs that collect data on everyone that uses them. And, these big data companies don’t really have much of an interest apart from compiling a profile of you based on your interests, background, and actions to figure out when to best market to you and how.”

“Sure, I get that, but how does this connect back to a devil made in our own image?”

“Well, look at it this way. Your Satan is meant to be an accuser type who finds ways to make you slip up and sin, right?”

“Yeah.”

“Now, these companies are finding what you’re weak to and when you’re weakest to it so that they can conveniently drop an ad right when you’re most susceptible to clicking it.”

“Interesting,” I remarked. “You’re making it seem like it has an agenda. What would you say to the claim that technology isn’t good or bad, but a force for whatever uses it?”

“Well, that the worst thing, data collection programs don’t have a morality. It’s just trying to get clicks as part of just doing its job when it’s advertising beer to the alcoholic or pornography to a sex-addict. Is that good? Effective, sure. But good? No. Helping someone find a stroller for a kid, maybe. Still, one has to wonder what you give up for the sake of convenience.”

Jennifer began drawing on a napkin she had left over from the complementary drink service. “An entity – a program – which knows exactly what you want and knows when you want it most based on details about you which you thought was private and has no interest in dissuading you from destructive habits. I don’t need to be superstitious to believe in a Satan figure, because we have one now of our own making.”

I blinked.

“But wouldn’t that make a more convincing argument that there is some type of actual entity out there?”

“Not necessarily,” she commented. “Would an entity that makes perfect sense to us be evidence of human design in the first place?”

“Touché,” I replied. “I think that figures like that are a bit more alien and malevolent to us than we usually give them credit for. They’re not just programs.”

I paused, mulling what she said over in my head.

“I think your critique is pretty valid though, when we reduce agents like that to this. Still, this is terrifying at the level that we have it now.”

She nodded. “And that’s why I do what I do.”

“And that’s one of the reasons why I’m studying what I’m studying too.” I smiled. “Thanks for the reminder.”

“No problem,” she said.

And with that, Jennifer and I went back to our books. I still wonder about that conversation though, and I’d like to think that I’m more conscious of what I do online. What is lost when we exchange privacy for convenience? What is created? What is a healthy relationship with technology look like? How does theology and computer science overlap?

While I am not one to see angels and demons behind every rock and tree, it’s a good reminder of the fact that in a sacramental universe, while things might not be inherently spiritual, everything we do has spiritual implications, including within a virtual space.

Just Like Kayaking

I found myself sitting down in a dining area of my alma mater this past Spring Break. Across from me sat a former professor of mine who I have been honored to count as a friend, advisor, and confidant throughout the course of my four years there. Seeing that I was in the area nearing the end of my first year at seminary, we decided to reconnect to see where each of us found ourselves before both of us ran off in different directions.

I found him leaving his office on his way toward the dining area. His back was turned, but the khakis and polo shirt betrayed his identity even though I hadn’t seen his face yet.

As he turned from locking up his office, I noticed that he had grown out his facial hair from the last time I had seen him, so that his glasses seemed to rest just over a slightly tousled beard. I did a double-take. The last time I had seen him, he had been more convinced of the clean-shaven persuasion. Time had certainly passed over the course of the past year.

He, on the other hand, smiled as though meetings between the two of us nowadays were still a pleasant regularity. Gesturing down the hall, he asked, “Shall we?”

Accepting his offer, I joined him as we made our way across the campus, shooting the breeze until we had gotten our drinks and sat down in the far corner of the room.

“So,” he said after taking a sip from the coffee he had ordered, “Tell me about Candler. What have you learned?”

I laughed.

“Well,” I started, “Graduate school certainly is a different animal from that of undergrad.”

He nodded, smiling. The steam from his drink condensed on his glasses, concealing his eyes for a moment. I paused, waiting for him to wipe them off. Doing so, he gestured for me to continue.

“You know,” I said, “I think seminary’s taught me within and without the classroom that I’ve got a lot more growing to do.”

“How’s that?”

“You’ve gone kayaking or canoeing on occasion, right, sir?”

He chuckled. “I was an adrenaline junkie for the first half of my life. Still am in some respects! Of course I’m familiar with kayaking and canoeing.”

“Well, almost 95% of the time, I sense that my life has been on this river on which I have been kayaking. And I’ve been making progress, but for the last two years, beginning with senior year, I feel like I’ve been pulled out of the current and have watched a bunch of friends and peers get swept downstream with chances to work in churches and other amazing ministries. I’m glad for them. I just wonder whether Jesus has left me in academia. Sure, classes have been great and thought-provoking, but I can’t shake the feeling that I’m missing out on what I’m meant to do.”

My professor and mentor fell silent as he chewed on what I was saying. After a few moments, he asked, “What do you think you’re supposed to do?”

“Work in a church, hopefully.”

His eyes flicked up from the floor, locking with mine. “Why?”   

“Because that’s what I’ve been doing for the last four years of my life studying for. Because I feel ready to take on the challenge of a ministry position and yet nothing seems to be coming my way.”

I paused. “Because… that’s what I’m called to do? This May will mark the fifth year I have studied ministry in particular. It all just seems so anti-climatic and I can’t help but feel disheartened.”

Shaking his head, he replied, “You’re conflating calling and vocation. A vocation enables a person to fulfill their call. But having your vocation be your call in every season isn’t exactly guaranteed.”

I took a sip of coffee. It seemed so straightforward, and yet, part of who I have trained myself to be resisted wholeheartedly embracing it in the moment. I think it’s because it’s hard for a person, place, or thing with a trajectory one way to change.

It’s possible. It’s just difficult based on the inertia we build up over time.

“Who knows,” he said, “Perhaps your ‘call’ in this season is to just be a student. Or maybe it is just to wait for wherever God leads. There are multiple ways to go kayaking, you know.”

We continued to chat for the rest of an hour. As the hour reached its end, he and I began walking toward a presentation he wanted to sit in on. As we reached the doors of the lecture hall, he paused and turned to say a last word.

“Don’t allow yourself to buy into the idea that calling is vocation. When options begin to foreclose, or you feel like you’re being left behind by your friends who have jobs in those areas, it can be easy to fall into despair and even doubt that you’re even supposed to be doing what you’re doing.”

I nodded as I turned to make my way across campus to meet up with someone else. It would be easy to accept the concept intellectually. The issue was more of a heart problem for me. I think it will take some work, but with God’s help, I can begin to reclaim some of the places in my heart that I have allowed weeds to take over.

Probably means I need to learn to be content with just floating along in life for a bit, trusting that things will work out one way or the other for the better.

I think, for a little bit of time, there’s good here too.

Adaptation

In recent months, I find myself in one of my university’s libraries on a regular basis. As the evening wears on, I make my way to the first floor of the building. There, I find a place to sit in the coffee shop which remains open until the early morning hours.

As I type up one assignment after another, I’ve noticed that I tend to flip quickly from Word to one of several tabs I have open. Facebook. YouTube. Reddit. A random article that I found interesting but got distracted by something else halfway through reading it. Netflix.

I would think that I would get through my assignments faster if I could buckle down and focus for a solid hour or so. At least, I would make a good dent of progress going in some direction. And yet, it feels like I’m working uphill most nights.

In one of my classes, the professor had us read an article penned for the Atlantic a decade ago, the title of which asked its readers whether “Google is Making Us Stupid?” Nicolas Carr, the author, made the observation that as we have increasingly integrated search engines like Google into our everyday lives, we have rewired our brains to operate in a manner that is not conducive to the deep reading that is needed within academia. Instead, we are primed to find instant answers, fill in the respective blank, and forget what we read soon thereafter.

“Immersing myself in a book or a lengthy article used to be easy,” confesses Carr, noting that before his frequent Internet use that “My mind would get caught up in the narrative or the turns of the argument, and I’d spend hours strolling through long stretches of prose. That’s rarely the case anymore. Now my concentration often starts to drift after two or three pages. I get fidgety, lose the thread, begin looking for something else to do.”

In short, Carr (and many of us today who struggle through lengthy texts featured so prominently within the humanities) has re-trained his brain to retrieve information, at the cost of knowledge retention, as evidenced by his discomfort sitting with a text of any length.

While Google, among many others, allow us to search out information quickly, it does so in a decontextualized manner, retrieving the requested information with almost surgical precision without having to do the legwork of reading a book or body of text to understand it more fully within the larger discussion going on within its field.

Socrates, in Plato’s Phaedrus, had similar concerns about the invention of writing, saying that people who used writing were substituting the written word for actual experiential knowledge. Socrates feared that people would cease to use their memory and forget. Furthermore, disconnected from experience, they would have the impression that they are knowledgeable in areas where they aren’t.

In one respect, Socrates, in critiquing the pro-writing Greeks of his time, had a legitimate concern that writing made people stupid because it shifted the human mind to engage the world in a particular way which was foreign to the previous way of doing things. And yet, writing empowered humanity in ways that Socrates did not anticipate. For one, we know what Socrates said because Plato went ahead, much to his mentor’s chagrin, and wrote his thoughts down.

I can’t help but draw a line between the institution of writing and the internet today. While I am concerned for students who don’t seem to have the capacity to sit down and read through a passage of Scripture, I wonder how the Internet might change how the faith might be conveyed or engaged for new generations.

At the exact same time, I wonder what are necessary parts of the faith, in an attempt to understand how to teach the faith in an increasingly distracted world. Abraham Heschel claims this when he states that “spiritually we cannot live by merely reiterating borrowed or inherited knowledge.” Faith, then, cannot live within a search engine paradigm, where a propositional truth is retrieved and promptly forgotten by the one retrieving it.

We must do more. But what? And how realistic would that be? Might we find ourselves at a re-visitation to Medieval Christianity, in which many people were illiterate and yet were arguably still participating in the faith? What might that look like applied to ministry today?

A Box of Fairy Tales for Christmas

A few years ago, I came in from the cold to discover my mother making her way down the staircase of the new house with a large box in her hands. She set the box – marked in bold lettering of a red Sharpie with the word TRASH – by the door.

Just outside, the snow had begun to fall silently down over the world, blanketing everything in a soft white layer of frosting. I brushed what snow had started to pile up on my shoulders and hair off as I began to feel the warmth of the place once more. Placing my hands over my nose, I could feel the chill from outside still lingered a few moments more.

I glanced over as I hung up my coat. Matching worn maroon spines peeked out from their cardboard frame. Books. Old ones, too, by the amount of wear they had on them.

Erasmus once wrote, “When I have a little money, I buy books; and if I have any left, I buy food and clothes.” And while I am nowhere near as noble as Erasmus, I will scrounge for a good book from time to time.

“What do you have there?” I asked, poking my head around the corner.

“Oh, those?” My mother pointed to the box as she walked back upstairs, “Those are some collections of fairy tales that I’ve held onto for a while. Nobody’s read them in quite some time.”

I picked one up to weigh it in my hand. I remembered in grade school sitting in the old family rocking chair or my bunk as I imagined the worlds of Robin Hood and Arabian Nights. The book was lighter – or I larger – than I last remembered.

Time was not kind to these books. I imagined it to be partially my fault as well. As I flipped through the pages of the books which kept me company in my younger days, the motion kicked up some dust which had been resting on the edges of pages. The pages smelled of vanilla and almond, faintly, as if someone had been baking sugar cookies in this very same space not too long ago.

I slid the book back in its place along with its siblings. Something about these meant more to me than just entertainment.

I leaned on the banister to shout up the stairs.

“Would you mind me taking them, then?”

“As long as you have space for fairy tales in your life, I don’t see why not.”

It’s funny how the stories we are told as children often hold more truth and life than we are led to believe. G. K. Chesterton once wrote in one of his better-known works that the things he believed most in his childhood and the thing he most believed as an adult are the things called fairy tales. Little wonder that, when taken seriously, a fairy tale is a tool by which we learn to come to grips with the world.

The child psychologist Bruno Bettelheim pointed out that when it comes to fairy tales, the genius behind it is that “the message is effective as long as it is delivered not as a moral or demand, but in a casual way which indicates that this is how life is.” In Bettelheim’s understanding, the beauty of a fairy tale is that it leaves room for the gray, suggesting at possible solutions while never casting judgment on others. Instead of painting the world in shades of good or bad, the fairy tale rather asks the listener which character they want to be most like.

I’ve been wrestling with Old Testament texts and the degree to which they are historical in the way we understand it to mean today. In particular, I wonder what that might mean for my faith. Mixed in with these troubling texts, the Gospel of John finds rest in the canon. In it, there’s a small epilogue which closes out the book where the narrator confirms that he was the disciple that Jesus loved. However, I cannot remember whether he ever pointed out that he himself was John or if tradition dictated it was so. Either way, the narrator’s choice to leave their name out can serve the purpose of inviting others listening to project themselves into the role of the narrator him- or herself, to taste and see whether a playing the role of someone following Christ is something worth doing themselves.

By reading ourselves into the story, we take the message that the Gospel has for ourselves, placing ourselves in the shoes -err, sandals- of the characters. Bettelheim mentions that this is one of the main orienting factors of fairy tales – they give us a frame through which to describe, but not prescribe, the world.

Just like in the example within John where the audience is invited into that role based on the anonymity (and universality) of the disciple, we are offered to evaluate our options. This, he hints at in the opening paragraph of his work when he states that “if we hope to live not just moment to moment, but in true consciousness of our existence, then our greatest need and most difficult achievement is to find meaning in our lives.” We need narratives to find meaning, so we have to remind ourselves of them – both fictitious and not – constantly.

In terms of deciding who we want to be in the story being told within the Gospel, I’m becoming pretty sure that Jesus would be fine with a person taking the time to weigh which character we think is best to be most like. I don’t think Christ is always forthcoming with the answers to every problem a person will face. He never really was when he was asked a question, instead responding to their inquiries by inviting them to come and see how life is with him in the lead.

With that in mind, it’s interesting to see how Advent takes on a renewed significance within this light. In this upcoming season of Advent, people are asked to reflect upon what it means to wait for the coming Messiah.

Once upon a time in a land far, far away, the story begins, Caesar Augustus issued a decree that a census should be taken of the entire Roman world… and everyone went to their own town to register.

It is in these unremarkable circumstances that the story starts, and the audience begins to settle in to hear where they might be in this story. The story of a baby who also is Christ the King. God become human.

Admittedly, faith in a god-man may sound like something belonging between the pages of the Odyssey – and to a certain extent, I think it does. Don’t get me wrong – I am still troubled and wrestle with the implications of such a position. How can a simple fairy tale ever correlate to ultimate reality? And yet, I think part of my fear is from feeling that I have begun to lose a sense of control or order which underlaid my belief. I think that many of us want to be totally, empirically certain of the events described in Scripture. We don’t want to be wrong.

We don’t want to be stumbling around in the dark, with all that we might encounter there.

I, for one, am afraid of that darkness.

What if there’s nothing?

We – err, I am guilty of seeking certainty that I forget that I’ve got this whole faith the other way around. Instead of understanding so that I might believe, I must believe so that I might understand.

In the moment when that a god-man entered human experience some two thousand years ago, the myth became more like a fairy tale. And this story gathered a community of people over the course of thousands of years all attesting that something about this story is true, going back to the disciples who died for telling such a tale. That it’s real. That even in the middle of the dark, there’s something there that lasts beyond.

The people living in darkness
have seen a great light;
on those living in the land of the shadow of death
a light has dawned.

In his taking on human nature and flesh, Christ took on each one of ourselves. In dying, he accomplished something which affected all of us. And yet, before we can get to Good Friday and Easter, we must first wait on the King to arrive, to show up in each one of our lives now. Sometimes in something as small and precious and fragile and seemingly universally insignificant in the middle of such a great darkness as a baby in a manger.

The stuff of fairy tales. The stuff of Good News.

A myth is a once-occurring thing for the sake of emulation. But a fairy tale is a perpetual truth central to the human condition. It need not have a defense, but rather motions others toward what might be, and what ought to be in the first place. I find it interesting then, especially after studying a bit of modern and postmodern thought, that fairy tales have become for me what they were for Chesterton. As I sit in front of texts which I once thought had a historicity and accuracy to them in the same manner that one might expect of a documentary in the twenty-first century, the thought which comforts me is the notion that these stories which I hold dear to me can be just like a fairy tale and still be real and true.

For believers, the incarnation isn’t so much an example to embody for the sake of forcing one’s set of beliefs and behaviors on others but can also be a mentality to adopt as a way of simply being with the other, whether that’s in a swaddling cloth in a manger of the first century BCE or in the DMV of the CE. It’s also a truth that something transcendent can take on flesh and move into the neighborhood. That we’re not stumbling around in the dark as much as we think we are.

I think my pastor put it best in a sermon he delivered the other day, that these stories we tell, that we remind ourselves of, kindle in us the conviction that:

At the end of it all, at the end of all things, we find that there is a King. And if there is a king, an everlasting and eternal king in charge of all things, there are answers. There is justice. All these things we seek aren’t just abstractions, distractions from reality, or baseless hopes. It’s something more.

Just because a story has the trappings of a fairy tale does not discredit its realness at the end of the day.

Advent invites us into a fairy tale different from the ones we tell ourselves day after day. The ones which culture substitutes in its stead. The ones which seem useful and attractive at first but leave us hollow in the end.

Advent is a fairy tale of a people waiting for the one who can honestly offer them an invitation they’ve been waiting for: “Come to me, all you who are struggling hard and carrying heavy loads, and I will give you rest. Put on my yoke and learn from me. I’m gentle and humble. And you will find rest for yourselves.”

Advent invites us into a fairy tale that, for once, is real.

I wound up taking the box of worn fairy tales and sliding them underneath my bed. I wonder when I’ll tell these tales to others. Maybe to myself. Some truths come to us over time. But some present themselves early on, and we just don’t realize their presence until later – especially after we live them.

And those, I think, make some of the best stories.

The Truths We Carry

The table was covered in books and scraps of scratch paper. Lines of varying design crisscrossed among squares and circles winding this way and that. The room was quiet, except for the occasional page flip.

Names and dates were scribbled amid the gnarled knot of shapes and lines. Birthdays. Days of death. The occasional occupation. At the base was a familiar name. The name of my classmates. Or me. It didn’t seem to matter – the trees looked the same, interwoven and tangled as can be.

At one point, a classmate of mine raised her hand.

“I’ve realized that in my family, there’s a bunch of stories that each generation chooses not to pass on about either themselves or others. They do it for some reason, I guess. Sometimes we just forget. Other times, we don’t. Some stories we don’t tell because we want those to just die, I guess.

“But the downside to that is that,” she paused, “Eventually, all we have are fragments of our loved ones – a lifetime of a human lost to time. What do we do then when we want to remember?”

I shrugged, unsure of an answer at the moment. Glancing down at my own paper, my eyes focused on my great-grandfather on my maternal grandmother’s side.

A few nights ago, my parents and I were tracing our own family story when we came across this man.

Not missing a beat, I interjected, “He was a general in the Japanese military. That’s why he was in Korea. I remember when Nana told me.”

There was silence on the other line.

“No,” my mother said. “He was a tailor.”

I paused.

“What?”

The room was oddly silent. It was the moment after something big, potentially earth-shattering, had dropped in the middle of the class. My professor closed his mouth and looked around the room, trying to gauge how well my classmates and I were taking the news. The emperor, it seems, actually had no clothes.

Glancing around myself, I noticed a few of my peers shifted uncomfortably in their seats. A few others held concerned or shocked looks.

“The evidence,” he repeated softly, as if he was afraid to shatter something nearby, “just isn’t there to support a historical conquest of Canaan as the book of Joshua describes it.”

One of my peers raised his hand “But doesn’t that mean…”

He trailed off, still processing what he was about to ask.

My professor waited for a moment before suggesting, “…that very little of this is historical?”

The student nodded.

“Does it matter?”

One of the strongest memories I have of high school is of my English class. It was raining softly outside, the kind of which would otherwise be perfect for staying indoors to wrap oneself up in a blanket along with a mug of hot chocolate or tea.

Inside the classroom had been slightly chilly. The radiator responsible for the chilliness was a cantankerous bloke which could never make up its mind whether to do its job at the given moment. One could tell it was going to work only when a mess of rattles and clinks tumbled out of the ventilation shafts and onto the floor, interrupting anyone who wanted to speak. Yet, one could never be too sure when such an act would occur.

My teacher, Billy, seemed unfazed. He had taught at the school in that same room for long enough to become a bit of a legend among students. He was unique. Cool, even, in those days. Billy would lean against his desk as he taught us uninterrupted by the radiator. We would lean in close to hear what he had to say during those times.

More often than not, he positioned himself so that the sunlight from the window on the far corner of the room reflected off of the lenses of his horn-rimmed glasses concealing his eyes. We could never be too sure where he was looking. Not that we had to worry about it today of all days. We were engrossed in the book which we had been reading for the past week. Most everyone had something to share about it.

One student, sitting across from me, spoke up. “I honestly can’t believe that O’Brien made this stuff up. I don’t think I can trust anything he writes anymore.”

She held up her book, pointing out a little noticed detail until then. On the back cover, in small print, were the words “Historical Fiction.”

We were speaking, of course, of Tim O’Brien’s The Things They Carried, a work focused on O’Brien’s account of the Vietnam War. And until that day, all of us students had believed this work was entirely factual. Of course, that belief could have been remedied by looking on the back cover of our editions, but it wasn’t until halfway through the book that many of us had the rug pulled out from under us as O’Brien explained the difference between happening truth and story truth.

Billy nodded and unfolded his arms, gesturing to my classmate.

“So what?” he inquired, “Does it matter whether it’s factual or not?”

There is a fine distinction that O’Brien makes regarding the relationship between truth and correlation to reality. “Happening Truth” describes what actually happened at a certain point in time. Truth and actuality overlap, and the narrative is historically verifiable. “Story Truth” describes the emotional truth of the moment. Here, truth and potentiality overlap. The narrative, in terms of matching up with a physical reality– that is, how things really played out, may be sacrificed for conveying a deeper meaning to the audience.

The problem with retelling a story word-for-word is that the subjective experience of the speaker is lost somewhat as the emotions, the surrounding context, everything is compressed into the boundaries of brittle symbols on a page, and what isn’t defined by the syntax or meaning of the words themselves are cut out, leaving behind an unfinished narrative.

Sometimes, it might be necessary to construct a skewed sense of reality to better convey the significance of an experience holistically or to fit one’s own context in a new or relevant manner.

For some in the room, it must have felt as though a sick and twisted version of the empty tomb played out before their eyes.

What if Christ was missing? What if all we had were the rags?

“One of the things we have to realize,” our professor started to say as he turned toward the student, “is that the expectations of the literature to be historical in our understanding of it didn’t become a thing until the twentieth century at least.

“But in case that’s not a satisfying answer for you,” he continued, moving his arms out, “here’s another thing: the power, truth, and reliability of Joshua is not dependent on its historicity. It was thought to be mostly written when the Israelites themselves were in exile and they wanted revenge on their oppressors.

“They wrote this text from the fragments they had alongside the situation they were in. This was as a means of forming in their people a sense of hope and identity even as they were out of the land that they were promised.”

Then, anticipating the mental thread some students were following, he added, “Plus, the Old Testament treats Joshua completely differently than how the New Testament treats the life and work of Jesus. We should be aware of what kind of animal we’re dealing with here.”

My parents and I began discussing what we knew about my great-grandfather from the stories my mother had from childhood.

It turns out all there was were fragments. Quick snippets from life. Of my grandmother growing up on an orchard in Korea. Of my great-grandfather sending my grandfather a tailored suit from overseas that fit to him perfectly. Of my grandmother fleeing Korea with her family as the communists invaded.

Fragments.

I hung up the phone, sitting in the silence of my room. The sun had begun to set a while ago, the sliver remaining casting long shadows in the room. What were we to do with the rest? Moreover, what did that mean for our family? For me?

After a moment, I stood, grabbing a dry-erase marker from a nearby shelf. Scratching out the fragments out on the board, I studied the facts.

When it comes to the truth of the memories of this man I never knew, of the life he lived, did it matter if I didn’t have all of the exact details of his life? What I had instead was the community of people still around profoundly impacted by him. Perhaps I could write something that could explain a bit about the influence he had.

Slowly, at first, but then picking up speed as I continued, I began to write.

A Painted Vision

I’ve got art on my mind a lot nowadays. I think it tends to happen when one hangs out with artists. More specifically, artists who are heavily involved in their faith communities. Naturally enough, immersing myself with people of a certain mentality will cause me to become interested in how they see the world.

A professor of mine who I regard as a mentor remarked that when we do not have the language to name something, we lose the ability to see it. The world becomes a much more complex place when one learns about the atom. Music becomes fascinatingly more complicated when things such a “pitch” and “timbre” are introduced to the mix.

In an analogous fashion, I think that the arts teach us how to see.

But see what?

I recently got off the phone with someone who sees themselves as a former person of faith. We had been talking for a bit. Rather, they talked, I listened. Every so often, I would drop a question in for clarification.

In the closing moments of the conversation, they cleared their throat and remarked, “You know, I can intellectually grasp the concept of God or some ultimate force in the universe. And yet, my experience would suggest something else entirely; I mean, I don’t feel like it’s true experientially.”

We talked for a little longer before we hung up. As I placed my cell phone on a shelf, I closed my eyes and rubbed the bridge of my nose.

I was surprised, to be honest. Usually, I would rail against the tendencies for Christianity to become an emotional, fun-fueled experience with little to no theological reflection, leaving many people prone to abandoning the faith after they found their version wanting in academia. Here, it seemed, my counterpart was experiencing the exact opposite phenomenon.

The German philosopher Friedrich Nietzsche made a related observation regarding the power of art in one of his many works. He once wrote that he loved art because “we [need it] so that we might not perish by the truth.” For Nietzsche, humanity needed art to create a lie around itself regarding its place and purpose in the universe. Namely, it needed something – a story, an image of significance – onto which it might latch as a manner of hanging on in a bizarre and otherwise unfeeling world. Art, or rather the arts, in Nietzsche’s mind, created for humans an ideal and a lens through which to engage the world that offered some comfort.

Another thinker, Plato, understood the power of the arts as well. In planning his republic of words, Plato stated that the arts were so influential on a person that it was the state’s prerogative to censor art to maintain a good society. Unlike Nietzsche, Plato asserted that art could be more than just a beautiful lie – possibly because he was a premodern thinker while Nietzsche was a postmodern one – but a way to cultivate virtues which meant something in the grand scope of things. Since virtuous citizens make up a good state, a state ought to educate their citizens. It did so by exposing them to good material and shielding them from that which it deems bad.

In both thinkers’ minds, art is a means to an end. It has the capacity to manipulate, inform, and form its observers, regardless of whether it has any bearing on the truth of how things are. It trains and reinforces a frame through which we might see.

I suppose it could also apply to the sciences (e.g., heliocentric versus geocentric models of the solar system) and to education as a whole. However, I’m more interested in narratives which lie generally within the arts.

The thing is, both Nietzsche and Plato understood that there is art that misleads us – whether for our benefit or detriment is up to the thinkers to decide. And yet, we buy into it anyways for one reason or another.

Oftentimes, I think it’s because we are pursuing some form of a Good that we don’t take time to reflect. Are our priorities on our Goods are properly aligned? Do we prefer the proper thing over all else at the moment? Sometimes, it’s that we don’t prefer something as much as we ought. Yet, we cling to certain narratives because they justify something for us.

For me, it’s a sense of security and meaning. However, should it be something else?

Talking to my friend reminded me of this fact as well. I left the conversation wondering whether I cling to a narrative of Christianity because it keeps me from perishing by the truth.

And yet, simultaneously, I wonder how, if the framework of Christianity is the closest thing to getting at what is, we can best experience that which we claim to believe?

I think the arts paint a good picture of what is expected of us, depending on what road one decides to travel down.

You know, moving down any path that art paints for us might just be considered faith.

Whether we choose to move that way in the first place is up to you.

 

An Artistic Focus

I found myself sitting across from a new friend for lunch the other day. I’ve been in Atlanta for only a week. Everything, really, feels new. Along with the place comes a strangeness of culture, people, accent, even life situation. While this fall is far from my first season of diving into academia, it is the start of a new leg of that journey far from any community that I’ve known.

And with this new season comes a predominant sense of anxiety. Newness, strangeness, is stressful to humans in general as created creatures of habit. Without context for the world around us, we enter into a state that is constantly “on” – taking as much of the environment in as quickly as possible – in an attempt to make sense of it. We do so as a means of trying to regain a sense of control.

While transition is stressful, there is an openness present in the person that is otherwise closed off. The expectation is that there is no expectation. Most, if not all, of our categories and filters through which to see the world have been reset.

Familiarity can breed contempt. Without intention reflection, it can dispose us in this way.  We allow ourselves to be swept along with the rhythms of life, trying to get through the days and weeks to something we’re looking forward to.

To be sure, there is significance and beauty to engaging in regularly repeating activities and disciplines. Just like there is a reason for an athlete to exercise outside of a match, there are reasons for a person to practice for what they hope to be or where they hope to perform.

But for many of us, it can become easy to slide into doing the motions. The meaning fades. The ritual becomes dry and hollow. It is in these moments that we need a shaking-up of sorts.

This was one of the reasons why I found myself at lunch after Ross had found me wandering around the lobby of his church the first Sunday I was in Atlanta.

The thing is, Ross is an artist by trade. A graphic designer more precisely, and a good one at that. However, Ross’ passion rests in helping others visualize their role in the world, often with a theological bent to it. He uses his talent as a means to start the conversation. Naturally enough, it wasn’t long before the soon-to-be-seminarian and the artist’s talk would turn toward that general direction.

Ross was halfway through his salad bowl, munching contentedly. We had been discussing the direction our lives had gone. We mused over places where we thought they were headed as well. Several people had recently connected with Ross because of his art and wanted to begin working with him as well. Ross’ eyes lit up as he speculated what the future would bring.

At one point, I remarked, “Has it ever occurred to you that we need you to help us pray?”

Ross stopped chewing.

“What do you mean?” he asked.

“Well,” I began, setting aside my fork and scratching my chin, “Would you say that the arts intentionally portray something – anything – which is filtered or distorted or focused in such a manner that some message is conveyed?”

Ross tapped his finger to his lips, his eyes gazing beyond me in a pensive stare.

“Yeah, but what are you getting at?”

The poet Emily Dickinson once wrote a poem that advised its audience that one should “Tell all the truth but tell it slant / [Lest] every man be blind.”[1] Those tasked with telling the truth might find that the truth, when presented in the same way, may be so familiar to their audience that their listeners dismiss it, regardless of whether it have the significance of a horoscope or a great work of literature. Something as revolutionary and radical as the truth can be glossed over for a lie which “tickles many ears” and enthralls the masses simply because it is so familiar.

Simone Weil, on a related note, once observed that a form of loving something is fixing one’s complete and utter attention on it. Furthermore, praying is simply the act of paying attention to one’s surroundings, oneself, and to God.[2]

When we lose our expectation and openness, allowing familiarity to dull our senses, we need someone else to remind us again. We need others to recall our sense of wonder, of our reverence, and of our devotion when the motions seem to us as good enough. We need the artist to wrestle with our perceived reality and ways of being in order to communicate some element of it – the good, the bad, and everything in between – even though their manner of doing so may shake us to our cores and make us uncomfortable with where, who, or even what we are.

It is, I think, one of the reasons why the Psalmist invites their audience to “taste and see that the Lord is good.”[3]

It is for the same reason why they also cry out in Psalm 88 in their anguish, failing to resolve their lament like any other Psalm that we have in the canon.[4]

It is for the same reason why the prophets used such wild imagery, like Malachi warning the priests that God would smear fecal matter on their faces for their tepidness and corruption.[5]

The voice of the artist invites us, through disrupting our daily patterns and our assumptions about who and what faith ought to be about, to return our focus back to God and reengage with him in all our humanness.

The voice of the artist, whatever their medium, has the ability to invite us to come. To see. To experience this God of ours.

They invite us to pay attention to the mystery and wonder of the divine.

They help us to pray.

At lunch, I looked at Ross, spreading my arms wide.

“You have a gift from God, for the people of God.”

He smiled. “Thanks be to God.”

[1] Emily Dickinson, “Tell all the truth but tell it slant.”

[2] Simone Weil, Gravity and Grace.

[3] Psalm 38:4, New Revised Standard Version.

[4] Ps. 88.

[5] Mal. 2:3.

A Snapchat Story Kind of Life

I dropped my brother off at the airport the other day. He had grabbed a friend of his one Friday afternoon and started driving from the Massachusetts coast in a southwesterly direction. His plan, to my knowledge, was to make his way to Chicago and then take Route 66 all the way to my college town just outside of Los Angeles, taking detours whenever they saw fit to see some genuine Americana along the way.

If I hadn’t been informed that he had planned to end his journey across the country at my apartment, I would have thought he might have just intended to wander for a while.

As he picked his way west, he documented his progress on his Snapchat story within a series of Captain’s Logs – so-called for the unspoken reason that it just seemed to fit the spirit of the occasion. This was an adventure after all. And adventures require a bit of whimsy from time to time.

And even though my brother and his buddy documented their journey, I still feel tempted to say that they didn’t get to really see some genuine Americana. They didn’t have time to, anyways. They were going too fast.

I sat in the airport parking lot for an hour, wondering whether increased mobility is always a good thing. As I watched my brother’s Snapchat story updates, I noticed how the landscape behind him seemed to blend together into a vibrant blur. Galileo once noted that “the only motion which is observable to us is the one which we do not share.” But when we’re the ones moving, everything else seems to become less distinct.

The author Soong-Chan Rah writes that “Contemporary life is characterized by movement, oftentimes at high speeds, with the absence of any real connection to the world around us.”[1] When we have the ability to move, especially to a pasture that seems greener, we become less invested in the one we find ourselves in at the moment. “We learn early on to keep our options open,” writes Kathleen Norris in the foreword to Jonathan Wilson-Hartgrove’s The Wisdom of Stability, “We consider stability tedious at best. At its worst it is seen to restrict our freedom and limit our potential.”[2]

I drove back toward my college town, lost in thought. The headlights of those heading back into the city appeared like bright streaks through the windshield, passing by without much of a second thought and disappearing into the darkness. Upon getting to my exit, I continued onwards, eventually finding myself driving up into the nearby mountains and parking at a place that gives a view of the surrounding towns. Below, stood a thousand, no- ten thousand points of light against the black backdrop.

How many of those lights had I been to? How many of them represented families or businesses I had never met or frequented? When we are trying to get to the next place, we miss out on all of the millions of possible experiences around you in the current moment. We instead get an idea of what some place or some people are like without much else. We mistake the shallow glimpses as the full thing.

But how did we get here in the first place?

In my summer class, we’ve been going over some of Kierkegaard’s works. In his Either/Or, I think I found my answer. Kierkegaard, in the persona of an aesthete, writes that “The more you limit yourself, the more resourceful you become.”[3] Here, the aesthete is concerned with not being bound by meaningful commitments – as that would demand his or her involvement in living in a manner which also has to take the other party into consideration. Instead, it is good to always practice what the aesthete describes as crop rotation – that is, avoiding activities that require repeated efforts in order to avoid boredom but instead doing the thing that is always new, always fresh.

The catch, of course, is that eventually, even that will become boring, as all activities will become run of the mill, leading him or her to despair.

I think the same mentality has gotten into the psyche of a good many people, myself included. Many of our problems, suggests Wilson-Hartgrove, come from our mentality that success is always defined by moving up and out.[4] It’s because we’re afraid of restricting ourselves.

As I looked out over the city, I glanced at my smartphone. A green light indicated that I had received a message on Facebook. It was from a guy who I’ve gotten to know over the course of the past year.

Do you ever think that some people are more special than others? My screen read. Because I think that God made me for something big… That I am made more important and more special than others.

I think the funny thing is that we all happen to foster some of the same attitude expressed by my friend. I think that’s why we feel driven to constantly move to the bigger and better-looking experience. We don’t want to settle for anything less than what God has for us.

And yet, the Christian thinker G.K. Chesterton wrote why, practically speaking, this mentality is unhelpful at best, and paralyzing at worst. He states:

All the will-worshippers […] cannot will, they can hardly wish […] they always talk of will as something that expands and breaks out. But it is quite the opposite. Every act of will is an act of self-limitation. To desire action is to desire limitation. In that sense, every act is an act of self-sacrifice. When you choose anything, you reject everything else… it is impossible to be an artist and not care for laws and limits. Art is limitation; the essence of every picture is the frame.[5]

Perhaps then, as we constantly strive for the greener pastures and commute out of the less favorable places, we should keep this notion in mind. In order to be invested, in order to affect meaningful change, we ought to consider that perhaps the place where God is calling us is the neighborhood right where we are living.

As I drove down the mountain back towards my university, I recalled the ending of the story of the demoniac at the Gerasenes. As Christ and his disciples begin to head off into the sunset, the former demoniac runs after them and begs Jesus to take him with them. But Christ refuses. Instead, Jesus suggests, tell everyone in the surrounding area of what happened here. And with that, they push off from shore and sail off into the distance, the demoniac still standing at the seashore.

What if our greatest form of ministry is right in front of us, and yet we miss it because we think Jesus wants us somewhere else? What if our call to ministry is a call to put down roots somewhere and stay for years on end?

“Mobility, and the speed of that mobility, result in the ability and the power to disregard and disconnect from suffering.” Rah concludes, noting that “There is no space or time for the theology of celebration to intersect with the theology of suffering—there is only motion that dulls the senses.”[6]

To be a minister of the gospel means, I think in part, to embed oneself in the story of a place and see how healing and the newness of life can be brought forth from it. If we simply plan to pass on through, we barely get a glimpse of it as it blurs together through the rearview mirror. There must be something more, something longer lasting than a shallow engagement with the world around us to change it for the better.

It’s a challenging thought, I know, I stand guilty of it myself. But as I pulled into the parking lot of my university late that evening, I paused once more to take another look at the place where I have called home for three years and for at least one year more.

There’s a lot of living to be done in one place. And a Snapchat story kind of life simply can’t cut it.

[1] Soong-Chan Rah, The Next Evangelicalism (Downers Grove, IL: IVP Books, 2009), 148.

[2] Kathleen Norris, foreword to The Wisdom of Stability: Rooting Faith in a Mobile Culture, by Jonathan Wilson-Hartgrove (Brewster, MA: Paraclete Press, 2010), vii.

[3] Søren Kierkegaard, Either/Or: A Fragment of Life, ed. Victor Eremita & Alastair Hannay (New York, NY: Penguin Books USA, 2004), 233.

[4] Wilson-Hartgrove, 46.

[5] G. K. Chesterton, Orthodoxy (San Francisco, CA: Ignatius Press, 1995), 45.

[6] Rah, 148.