Traditioned Notes in the Dark

I’ve been restless lately. Some nights, I would find myself unable to sleep for hours on end. On others, I would wake hours before the sunrise, unable to go back to sleep. On those nights, I would get out of bed and find somewhere to sit on the floor of my apartment. And every time, as I tried to reach the door of the bedroom, I would always stub my toe on the corner of my roommate’s desk. Every time.

The reason why I can’t sleep is because of the doubts I have. To be honest, I sometimes doubt whether God’s out there – wherever that ‘there’ is. Or if he is, if we can reach him or know him. Sometimes, I doubt whether what I’m studying is worthwhile or some joke whose punchline ran out long ago. And sometimes, as I sit in the dark, I doubt whether the person I’ve become is worth anyone’s time.

Last night, I had written a question on a mirror I have in my office. It’s kept me up for several nights now. It’s still there: Christians hold that Scripture is infallible and authoritative, but which interpretation is that which lends itself to being infallible and authoritative? Why do we have so many denominations with different readings of the same text? Who is right at the end of the day?

Below the first question, I wrote, what if how I interpret Scripture is completely off-base from what the biblical authors intended? What God desires? What if I’m wrong? What if I am leading people astray when I speak?

It’s one game to say that a collection of writings is inspired, but another altogether to interpret it responsibly. What if I’m wrong? What if I just wasted three, going on four, years of education? 

I wrestle with the notion that all of us stumble around in the dark when it comes to truth. But I know in the back of my head that we do. We throw out notions of what truth, goodness, and beauty are, hoping we’re close with our estimations and definitions. And then people structure their lives around our approximations.

But still, it doesn’t help when I stub my toe on every expectation I come across. I’m supposed to be a youth pastor after I graduate. I’m supposed to know answers to people’s questions about life. I’m supposed to be assured that the source that I’m taking truth from is solid, that it reveals special revelation and that I can access it in a straightforward manner.

And yet, in my time studying theology and the humanities, I have become much more aware of how tenuous truth claims can be.

What if my human, American, middle class, (etc.) lens skews the ultimate truth which the authors of Scripture into my smaller, culturally-bound, limited version of the gospel?

I am left with the notion that God has the truth at the end of a fishing line and holding just out of reach, out of reach because we can’t escape our own humanness to see the world outside ourselves.

I attended the recital of a friend of mine recently. He plays the cello, you see, and has been for much of his life. And it shows. That evening, he sat, for much of the performance, alone on stage. After being accompanied by a pianist for Charles-Camille Saint-Saens’ Cello Concerto No. 1 in A Minor, she promptly left him to continue.

The room was silent as he picked up his bow and placed it in its starting position. As he started to play, his right arm directed the bow one way, then another; his left flicked up and down the fingerboard and neck. He swayed in time as if directed by some unseen conductor. And occasionally, I noticed he closed his eyes, a smile resting on his face as if he, too, had come to listen to the piece.

When I was younger, I wondered why classical music has remained so popular considering all the other genres offered nowadays. I must admit, I’ve grown to appreciate it over the years since then. But as I saw my friend perform J.S. Bach’s Suite No 2 in D Minor, I realized that it’s not that the innovative newer genres take away from classical music’s significance or effectiveness. Instead, Bach, Saint-Saens, and others have expressed some element of the human experience that resonated with people in such a way that it still connects to audiences to this day.

The new stuff we hear on the radio we might hear for a while, but soon, it’s something else. A catchy tune or attractive lifestyle might be appealing for a little while, but after a little bit, it’s gone, replaced with something else. And we move on because it all tends to be empty. The innovators stab in the dark trying to create something relevant or new in the moment. But it tends to be just that, a moment kind of thing. Some do stick around, too. But who’s to judge what will last and what will fade?

A professor of mine remarked that a text that outgrows its context loses all meaning altogether.[1] For a text to have nothing to frame it is to render it ultimately meaningless. This, he remarked, is the problem that atheists have with stating that the universe has no context outside itself.

But the same could be said for Scripture. Scholars all over the spectrum have argued for their own position as correct using the same text. For every theologian, there is an equal and opposite theologian. But if they come up with radically different notions of what is true, good, and beautiful, what hope do we have for knowing who is correct?

I rested against a cabinet in the kitchen of my apartment, feeling the coolness of the night air flow in from a window a roommate of mine had propped open. The room was still dark. I had not seen it fit in lighting it. Off to my left, my hand traced the pattern of the kitchen tiles, my mind still full of questions, doubts, and fears.

Somewhere outside, a bird began to warble out a tune. I found out the other day that birds inherit the songs that their parents sang, appropriating it for its own use. [2]

Well, why not? If it worked for them, it might just work for the bird now, too.

I thought back to my friend and his recital. The songs he played were not his own, but in a way, they still were. Even though he had no hand in its creation, in that moment, he entered a larger community of people who had performed and found a piece of their own story in the traditioned notes. Tradition, G.K. Chesterton once suggested, is the living faith of dead people. [3] It’s a way that has worked well in bringing about a well-lived life–if nothing else. And right now, it’s all I can really ask for.

I blinked. “At least it’s something. And something is better than nothing.”

Pausing, I turned to look at the window. “At least, I think…”

I moved to get up and return to my bed for a few more hours of sleep. Closing my eyes, I whispered. “Lord, I believe. Help my unbelief.”

I was out in moments.

 

[1] Michael Bruner, Ph.D., (Lecture, Communicating the Gospel Through Film, Azusa Pacific University, Azusa, CA, March 22, 2017).

[2] Skyla Herod, Ph.D., “Harlowe and Skinner: Behaviorism Colloquy.” (Lecture, Nature, Azusa Pacific University, Azusa, CA, March 30, 2017).

[3] G.K. Chesterton, Orthodoxy (San Francisco: Ignatius Press, 1995), 53.